A Feminist Ethnomusicology: Writings on Music and Gender by Ellen Koskoff PDF

By Ellen Koskoff

ISBN-10: 0252038495

ISBN-13: 9780252038495

One of the pioneers of gender stories in song, Ellen Koskoff edited the foundational textual content Women and song in move Cultural Perspective, and her profession developed in tandem with the emergence and improvement of the field.
during this highbrow memoir, Koskoff describes her trip throughout the maze of social background and scholarship with regards to her paintings reading the intersection of song and gender. Koskoff collects new, revised, and hard-to-find released fabric from mid-1970s via 2010 to track the evolution of ethnomusicological pondering girls, gender, and track, providing a standpoint of ways questions emerged and adjusted in these years, in addition to Koskoff's reassessment of the early years and improvement of the sector. Her target: a private map of the several paths to figuring out she took over the many years, and the way each one encouraged, expert, and clarified her scholarship. for instance, Koskoff exhibits how a choice for face-to-face interactions with dwelling humans served her top in her examine, and the way her now-classic paintings inside of Brooklyn's Hasidic group infected her feminist recognition whereas major her into ethnomusicological studies.
An unusual merging of retrospective and rumination, A Feminist Ethnomusicology: Writings on tune and Gender offers a witty and disarmingly frank travel during the formative a long time of the sphere and may be of curiosity to ethnomusicologists, anthropologists, students of the background and improvement of feminist notion, and people engaged in fieldwork.
contains a foreword by way of Suzanne Cusick framing Koskoff's occupation and an in depth bibliography supplied by means of the author.

Show description

Read or Download A Feminist Ethnomusicology: Writings on Music and Gender PDF

Best musical genres books

William Irwin's Metallica and Philosophy: A Crash Course in Brain Surgery PDF

Hit the lighting fixtures and leap within the hearth, you’re approximately to go into the college of Rock! Today’s lecture may be a crash path in mind surgical procedure. this tough and quickly lesson is taught by means of teachers who graduated from the previous school—they truly paid $5. ninety eight for The $5. ninety eight EP. yet again ahead of those philosophy professors lower their hair, they have been lieutenants within the steel military.

Get The Amazing Jimmi Mayes: Sideman to the Stars PDF

For greater than fifty years, Chicago drummer Jimmi Mayes served as a sideman at the back of a number of the maximum musicians and musical teams in historical past. He all started his occupation enjoying the blues within the juke joints of Mississippi, sharpened his exchange less than the mentorship of drum legends Sam Lay and Fred under within the steamy nightclubs of south Chicago, and hit it monstrous in ny urban at the back of such song legends as Tommy Hunt from the Flamingos, Marvin Gaye, and James Brown.

Download e-book for iPad: Berlioz and His Century: An Introduction to the Age of by Jacques Barzun

During this abridgment of his enormous learn, Berlioz and the Romantic Century, Jacques Barzun recounts the occasions and remarkable achievements of the nice composer's existence opposed to the heritage of the romantic period. because the writer eloquently demonstrates, Berloiz used to be an archetype whose future was once the tale of an age, the incarnation of a creative sort and a historic spirit.

Extra info for A Feminist Ethnomusicology: Writings on Music and Gender

Example text

The Sameness-Difference Debate The sameness-difference debate initially focused on the passage of the Equal Rights Amendment, but quickly grew to address basic underlying philosophical issues. Many felt—given the successes of the second wave’s women’s liberation movement—that equal protection was already in place and that the special status accorded to women as child bearers and primary nurturers was now adequately recognized in the law. Thus, proponents of the difference side claimed that women were both equal under the law and also different and separate as women, a class of humans defined primarily by biology, as well as by a believed-to-be-shared history of oppression.

The gender structure of a society reflects socially constructed and maintained arrangements, made between men and women largely based on inherited, culture-specific gender ideologies. Although gender structures theoretically range on a continuum from total male to total female dominance, in no known society do women dominate men (see Rosaldo and Lamphere 1974). Margaret Mead, in her pioneering 1935 study, Sex and Temperament in Three Primitive Societies, proposed that seemingly “natural” behaviors associated with either sex were not founded in nature, per se, but were rather the result of ideologies and processes that were socially constructed, warning us that we must recognize that “the cultural plot behind human relations is the way in which the roles of the two sexes are conceived, and that the growing boy is shaped to a local and special emphasis as inexorably as the growing girl” (1963, x).

I begin by asking whether gender-specific music cultures actually exist. Is not culture a homogeneous whole, an integrated system? Recent studies of women’s folklore and culture2 have suggested that in many societies, women and men do appear to occupy separate expressive spheres, creating not necessarily two separate and self-contained music cultures, but rather two differentiated yet complementary and overlapping halves of culture. Until recently, though, ethnographers have tended to focus primarily on the more public, more easily accessible sphere occupied by males.

Download PDF sample

A Feminist Ethnomusicology: Writings on Music and Gender by Ellen Koskoff

by Kenneth

Rated 4.07 of 5 – based on 35 votes