By Tom McSorley
Certainly one of Canada's pre-eminent auteur filmmakers, Atom Egoyan has been celebrated the world over, incomes a number of awards from the distinguished Cannes and Toronto movie fairs and an Academy Award nomination. certainly one of his such a lot comprehensive and arguable early works, The Adjuster, is a gloomy drama concerning the advanced and excessive courting among an coverage adjuster and his clients.
In this obtainable research, Tom McSorley strains the genesis, construction, and reception of Egoyan's fourth function movie, from its Cannes movie competition leading to its North American advertisement liberate. The booklet locates The Adjuster within the higher context of Canadian cinema history's abnormal and infrequently evolution, and gives a provocative interpretation of the film's special research of the malaise of materialism in North American tradition. Richly illustrated and that includes new interview fabric with Egoyan himself, this research within the Canadian Cinema sequence bargains an insightful overview of 1 of Atom Egoyan's so much looking out, unsettling movies.
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Additional info for Atom Egoyan's The Adjuster (Canadian Cinema, Volume 3)
Family Viewing was an international breakthrough ﬁlm for Egoyan. In addition to winning the best Canadian feature ﬁlm award at Festival of Festivals in Toronto, it was runner-up to renowned German director Wim Wenders’s Wings Of Desire at Montreal’s Festival of New Cinema and Video. Upon receiving his award, Wenders himself promptly conferred it upon Egoyan, thereby anointing him as an emerging member of a loosely afﬁliated international club of important art house directors. This generous gesture also opened investment doors for Egoyan in Europe – indeed, his next ﬁlm was made with some European ﬁnancing.
There is so much empty space in the composition of the frames, and characters are often spatially separated within them. Bubba’s ﬁrst arrival at the abandoned housing development, for example, is framed in long shot as he strides across a vast, empty landscape, utterly isolate; this is later repeated in an extreme long shot of him driving across the development to the Render’s house. Bubba and Mimi’s intimate distances are also ampliﬁed in the composition of the shots when he brings her to the football stadium for her cheerleader fantasy.
After completing several short ﬁlms, Egoyan wrote and directed Next of Kin, the oddly comic yet unsettling drama about a young man unhappy with his WASP upbringing who decides to join an Armenian family in Toronto. Undergoing videotaped family therapy sessions, the alienated and indolent Peter Foster (Patrick Tierney) is asked to review his family’s tape in a private room. Once there he discovers another ATOM EGOYAN THE ADJUSTER family’s taped session on the monitor and watches it instead. He learns that the Deryan family patriarch, George (Berge Fazilian), is resentful of his now thoroughly culturally assimilated daughter, Azah (Arsinée Khanjian), and fears losing his cultural heritage.
Atom Egoyan's The Adjuster (Canadian Cinema, Volume 3) by Tom McSorley