Read e-book online Austronesian Soundscapes: Performing Arts in Oceania and PDF

By Birgit Abels

ISBN-10: 9089640851

ISBN-13: 9789089640857

In Austronesia—the sector that stretches from Madagascar within the west to Easter Island within the east—music performs a necessary position in either the development and expression of social and cultural identities. but examine into the song of Austronesia has hitherto been sparse. Drawing jointly modern cultural experiences and musical research, Austronesian Soundscapes will fill this study hole, providing a complete research of conventional and modern Austronesian track and, whilst, investigating how track displays the demanding situations that Austronesian cultures face during this age of globalization.

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Extra info for Austronesian Soundscapes: Performing Arts in Oceania and Southeast Asia (AUP - IIAS Publications)

Sample text

The agricultural roots of dance events provided a crucial ‘natural’ foundation for Sundanese notions of manliness and its attendant contradictions, but, over time, dance events transcended any functions that were exclusively agricultural. Both aristocrats and commoners created and maintained contexts not only for performing gender through improvisational dance, but for accruing status and establishing pecking orders as well. Despite this emphasis on participatory dance in the past, and the key role these dances play in Sundanese culture, it has become devalued more recently in favour of presentational dance.

Each gong has a handle tied to a string knotted through two holes in the rim of the instrument. This circular, flat, rimmed idiophone is played in two different styles – by beating it with a stick while holding it by the handle, or by striking it with open hands in the player’s lap. The former style is known as tadok, which is performed while dancing and playing simultaneously. In fact, the verb form of tadok does not distinguish between the actions of beating the gong and dancing in a circular formation.

If he performed them often enough, he might even be able to convince himself. The agricultural roots of dance events provided a crucial ‘natural’ foundation for Sundanese notions of manliness and its attendant contradictions, but, over time, dance events transcended any functions that were exclusively agricultural. Both aristocrats and commoners created and maintained contexts not only for performing gender through improvisational dance, but for accruing status and establishing pecking orders as well.

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Austronesian Soundscapes: Performing Arts in Oceania and Southeast Asia (AUP - IIAS Publications) by Birgit Abels


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