Get Berlioz and His Century: An Introduction to the Age of PDF

By Jacques Barzun

ISBN-10: 0226038610

ISBN-13: 9780226038612

In this abridgment of his huge examine, Berlioz and the Romantic Century, Jacques Barzun recounts the occasions and notable achievements of the nice composer's existence opposed to the history of the romantic period. because the writer eloquently demonstrates, Berloiz was once an archetype whose future was once the tale of an age, the incarnation of a creative variety and a ancient spirit. "In order to appreciate the 19th century, it's necessary to comprehend Berlioz," notes W. H. Auden, "and for you to comprehend Berlioz, it's necessary to learn Professor Barzun."

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During this abridgment of his huge research, Berlioz and the Romantic Century, Jacques Barzun recounts the occasions and remarkable achievements of the nice composer's lifestyles opposed to the history of the romantic period. because the writer eloquently demonstrates, Berloiz used to be an archetype whose future was once the tale of an age, the incarnation of an inventive sort and a old spirit.

Additional resources for Berlioz and His Century: An Introduction to the Age of Romanticism

Sample text

In much Enlightenment musical aesthetics, this shift had been linked to materialist theories of music as a form of nervous stimulation, albeit in the context of refinement and sensibility. The advent of Idealist musical aesthetics after Kant changed all that by asserting that serious music was a question of the disinterested appreciation of form by a transcendental, quasi-disembodied listening subject. 5 This division would eventually lead to the suggestion certain genres and styles were especially pathological.

Bynum and Roy Porter (eds), Brunonianism in Britain and Europe (London, 1988); John Thomson, An Account of the Life, Lectures and Writings of William Cullen (Edinburgh, 1859), p. 455; John Neubauer, ‘Dr. John Brown (1735–1788) and Early German Romanticism’, Journal of the History of Ideas, 28 (1967): 67–82. 50 ‘Brunonianism’, as his school of medicine became known, took the stimulation paradigm of the aetiology of disease to extremes, arguing that nervous under- or over-stimulation was at the root of all illness.

Barker-Benfield, The Culture of Sensibility: Sex and Society in Eighteenth Century Britain (Chicago, IL, 1992). ), Empfindsamkeit, Band II: Quellen und Dokumente (Stuttgart, 1980); Maxine Berg and Elizabeth Eger (eds), Luxury in the Eighteenth Century: Debates, Desires and Delectable Goods (Basingstoke, 2002). 43 Anne C. Vila, ‘Beyond Sympathy: Vapors, Melancholia, the Pathologies of Sensibility in Tissot and Rousseau’, Yale French Studies, 92 (1997): 88–101; Maurice William Cranston, The Solitary Self: Jean-Jacques Rousseau in Exile and Adversity (Chicago, IL, 1997), pp.

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Berlioz and His Century: An Introduction to the Age of Romanticism by Jacques Barzun


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