Get Elisabeth Vigee Le Brun: The Odyssey of an Artist in an Age PDF

By Gita May

ISBN-10: 0300108729

ISBN-13: 9780300108729

The most efficient lady artist of her age, Elisabeth Vig?e Le Brun (1755—1842) exerted her substantial allure to turn into the buddy, after which professional portraitist, of Marie Antoinette. notwithstanding ecocnomic, this function made Vig?e Le Brun a public and debatable determine, and in 1789 it triggered her exile. In a Europe torn by way of strife and revolution, she however controlled to thrive as an self sufficient, self-supporting artist, doggedly constructing studios in Rome, Naples, Venice, Milan, Vienna, St. Petersburg, and London. lengthy neglected or pushed aside, Vig?e Le Brun’s images now grasp within the Louvre, in a room in their personal, in addition to in all best artwork museums of the world.

This gripping biography tells the tale of a singularly proficient and high-spirited lady in the course of the innovative period and explores the advance and importance of her paintings. The e-book additionally recounts the private and non-private lives of Elisabeth Vig?e Le Brun, connecting  her with such personalities of her age as Catherine the nice, Napoleon, and Benjamin Franklin, and surroundings her reports within the context of up to date eu politics and tradition. A beneficiant number of illustrations, together with 16 of Vig?e Le Brun’s snap shots awarded in complete colour, completes this unparalleled volume.

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Elisabeth Vigee Le Brun: The Odyssey of an Artist in an Age by Gita May PDF

The key lady artist of her age, Elisabeth Vig? e Le Brun (1755—1842) exerted her massive appeal to turn into the buddy, after which reputable portraitist, of Marie Antoinette. although ecocnomic, this position made Vig? e Le Brun a public and debatable determine, and in 1789 it prompted her exile.

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Additional resources for Elisabeth Vigee Le Brun: The Odyssey of an Artist in an Age of Revolution

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As in the Rubens painting, the setting is out of doors, enabling the artist to depict natural lighting, so that even the shadow of the subject’s plumed hat barely a¤ects the brightness of her skin. And in her portrait there is a real chapeau de paille (straw hat), unlike Rubens’s subject, whose hat was actually of beaver felt. To the dashing ostrich feather the artist added a wreath of freshly picked rustic flowers. And where Susanna Lunden peers at us in a coyly indirect fashion, Vigée Le Brun directly meets our gaze with self-assurance, and her lips are partly open in an inviting smile.

In this capacity Le Brun managed to save a number of monuments and art works from destruction. In 1794, at the height of the Terror, Le Brun finally found himself forced to sue his wife for divorce on the grounds of desertion. One of the last acts of the Legislative Assembly was the law of September 20, 1792, establishing divorce. On June 3, 1794, a decree of divorce was issued for the Le Bruns. Yet when, in 1802, Vigée Le Brun finally returned to France after pursuing a phenomenally successful career as a portraitist all over Europe, for the sake of convenience she would resume living with her ex-husband in their house on the rue de Cléry.

He came from a West Indian family of planters that had amassed a vast sugar fortune, and his mistress, Yolande de Polignac, was the queen’s favorite. It was even whispered that the two women had a lesbian relationship. ² They both excelled at reciting their verses with great rhetorical e¤ect. Chamfort, the author of Maximes, witty and frequently cruel aphorisms about human frailties in the tradition of La Rochefoucauld, was another frequent guest, and he enjoyed adding zest and piquancy to the conversation with a provocative remark.

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Elisabeth Vigee Le Brun: The Odyssey of an Artist in an Age of Revolution by Gita May

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